Surat’s Golden Thread: The Story of Zari

19th-century silk textile from Surat with woven floral motifs

Every shimmering border on a festive sari or the glint on a kurta neckline needs one thing: zari, metal thread fine enough to weave or embroider. The word comes from the Persian zar, gold, and for centuries one city has been especially famous for it — Surat in southern Gujarat.

A craft in the lanes of the old city

Zari-making grew under Mughal-era trade, when Surat was one of India’s busiest ports. Workshops cluster in old neighbourhoods such as Gopipura, Wadifalia and Saiyedpura, and many are still family-run, with work passing between homes. In 2010, the “Surat Zari Craft” received a Geographical Indication (GI) tag, recognising the city’s distinct tradition.

From metal bar to thread

  1. Drawing: silver (or copper, for imitation zari) is pulled through ever-smaller holes until it becomes a hair-fine wire.
  2. Flattening: the wire is pressed into a flat ribbon called badla.
  3. Winding: the ribbon is wrapped tightly around a silk or cotton core.
  4. Gilding: for gold zari, the thread is electroplated with a thin layer of gold, then reeled into small skeins.
An artisan working with metallic thread on an embroidery frame.
An artisan working with metallic thread on an embroidery frame. Photo: Notakeyboard567, Wikimedia Commons, CC BY-SA 4.0

Real, tested or imitation?

Traditional “real” zari uses silver with gold plating; “tested” zari uses copper with a silver coating; and modern metallic yarns are made from polyester film. Each has its place — but the warm, soft glow of hand-finished zari is something you notice the moment you touch it.

A 19th-century textile fragment from Surat, now in the Cleveland Museum of Art.
A 19th-century textile fragment from Surat, now in the Cleveland Museum of Art. Photo: Unknown, Wikimedia Commons, CC0

See our zari-touched suit sets →

Cover photo: Unknown, Wikimedia Commons, CC0